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Sukey, take it off again. Sukey, take it off again. Sukey, take it off again. They've all gone away.
This pronunciation appears throughout the poetry of the seventeenth and eighteenth centuries. Check out Alexander Pope, from Rape of the Lock, III, 7-8 (written 1714).
Or John Dryden's sea, from Aeneis, V 1084-6 (translated 1697).
Or Jonathan Swift's creature, from "Strephon and Chloe," 19-20 (written 1731).